new releases, October 2025

Well just fuck - these releases should have been ready earlier in the year, and some of them were. This is the last time I'll consolidate such a large number of new titles: despite best intentions it only takes a problem or two to delay the whole lot.

I've also finally opened a Bandcamp page, to allow proper previewing of titles. I don't intend to do digital sales, other than for some sold out releases which will get listed when time permits.

The webstore has been updated with these new titles, as well as a run of excellent international titles! Your support is crucial, so - thankyou!

At long last:

(sic 122) Wertham & Strom.ec & Josh Lay St Valentine's Day 12"

In 2005 I released ‘St Bartholomew’s Day’, a four artist double cassette, each act tasked with finding their own artistic expression of the French religious massacre of 1572. Finally, 20 years later, comes ‘St Valentine’s Day’: another historical lodestar of unhinged and inexplicable violence, updated to the Prohibition-era streets of Chicago.

Each artist was carefully selected with a view to intersecting their own stylistic and thematic interests with the subject matter of the release, and wanting to realise a release which harnessed the uniqueness of each while linking a shared stylistic energy. The result is this long-overdue LP of which I am incredibly proud: threads of religious penance, unapologetic bloodshed, conspiratorial intrigue and political collapse all leech from the given theme, and each act delivers a harrowing set of power electronics compositions rich in detail, compositional depth, potency and crimson.

Edition of 200 LPs, mastered by Grant Richardson, cover artwork by Scott Candey (Crionic Mind), individual artist inserts.

(sic 159) Naxal Protocol The Phobosphere Truth C-48

Naxal Protocol returns, with another suite of detailed and highly evocative industrial constructs steeped in extended lore and bristling with resonant themes of fear, mortality, and technological and governmental overreach. Piero Stanig is an undeniable force in Italy’s rich industrial/postmortem genre history, and ‘The Phobosphere Truth’ is a stunning, unique and nuanced piece of modern dysphoria within that legacy.

Includes guest vocals by Andrew Grant (The Vomit Arsonist) and cover artwork by R.P. Black button and string envelopes, multiple inserts, chrome tapes. Edition of 60 copies.

(sic 162) Dodge Jones Rage West Coast Power Outage VIII C-40

The trio of Chris Dodge, Mason Jones and WM Rage funnel collective decades of experimental experience into distorted overload, their releases all sharing a maelstromic nihilism while varying in instrumentation, textural detail and refinement. ‘West Coast Power Outage VIII’ revels in grit and rancour, preferring lines of sonic profusion over nuance: 40 minutes of texturally rich but merciless noise, with due regard for Americanoise histories such as Skin Crime and early Daniel Menche.

60 copy ‘regular’ edition in logo-embedded rigid plastic envelopes. 15 copy ‘special’ edition embedded in driftwood/fencing wire/sacrificed cassette tape/dog tag packaging. Artwork by Paul van Trigt.

(sic 165) Parasite Nurse Twilight Song C-28

I could not be more pleased to announce new recordings from Samantha Hernandez’s Parasite Nurse, adding some cut-up studio sculpting to Samantha’s incredible run of live performances in 2025. For ‘Twilight Song’ Parasite Nurse drops high stakes tension, relentless split stereo sparring and flurried modular snowstorms into two tightly edited works of dynamic composition. Glimmers of tranquility radiate through ‘Twilight Song’’s urban spalling, the artwork mirroring the audio’s moments of reflected beauty within frayed urban chaos and sensory overload.

A few copies of ‘Twilight Song’ found their way to attendees during Parasite Nurse’s mid-year touring, with the release now welcomingly available more broadly in a run of 70 copies. Full colour oversized artwork in a ziplock bag, chrome tapes.

(sic 169) Industria Masoquista & Richard Ramirez C-30

Two senior purveyors of rough-hewn noise face off across a strip of ferric oxide. Both Richard and Javier contribute a hulking slab of industrial grit to their already iconic discographies.

Splashed heavily with sleaze, Javier’s ‘Vibraciones’ bristles with domineering feedback and unashamed heavy electronics hedonism, while Richard’s ‘Elastrator Perverse Mix’ slowly entangles cruel slabs of bareback distortion which plateaus into a cold industrial simmer peeking glimpses of smut.

Heavy cardstock covers, coloured tapes, fittingly disciplined artwork for adults only. Edition of 70 copies.

(sic 173) Praying For Oblivion Genuflektion 10"

Praying For Oblivion emerges from the farthest reaches of the underground with this limited new release. The title track is a disturbing haunt of poltergeist concrète, hostile voices and bladed electronics which evokes similar dread to the project’s recent collaboration with Nerthus on E.C.T. B side ‘Traum Urlaub’ is a harsh collaboration with American noise wall project Hana Haruna, PFO pressing gasps of crepuscular asthmatic grain into Hana Haruna’s billowing noise textures.

Lathe-cut 10” with printed silver labels and artwork. Limited edition of 40 copies.

(sic 175) Andrew Coltrane Distant Music To Crown A God With Street Dust C-60

‘Distant Music To Crown A God With Street Dust’ is a 60 minute exploration of raw noise and experimental artefacts which embraces the best features of harsh exorcisms, ghastly appropriation, industrial site clatter, post-Berlin school synth depression, tape mishandling, and outsider anti-music. A 60 minute pastiche of Andrew Coltrane in all his guises, bound by an unshakeable dismal decrepitude and an inch of analogue grime.

Chrome cassette in oldschool ‘library’ snapcase with cover and label artwork sourced from old true crime magazines. Edition of 50 copies.

new releases!

(sic 128) Hanzo Hasashi The Ceremony CD

The quality of Hanzo Hasashi’s discography is evident to all those who have waded into it, and it’s gratifying to finally bring ‘The Ceremony’ to Cipher Productions. Constructed with care and a unique sense of auditory space, ‘The Ceremony’ churns fragments of snatched sound and treated noise molecules into uncomfortable, and unstable and disrupted loops – to then weave and layer those lines into the project’s typically dynamic compositions. A study of beauty in disruption, of stability in impermanence.

Mastered by Grant Richardson, art by HH. Jewel case, pro-pressed CD in an edition of only 100 copies.

(sic 153) Caligula031 & Taeter Escalation CD

Seedy, disgusting Italian power electronics filled to the brim with diegeses of abuse, public humiliation, drugs, flesh wallets, compulsive masturbation, self deprecation, decay and spite. Road to ruin, total fucking annihilation. Caligula031 and Taeter share vocals and sound duties.

Co-release between Turgid Animal and Cipher Productions, digipack CD, 300 copies, art by Nicola Vinciguerra/Tisbor. The first 20 or so direct orders come with an additional ‘zine created by Nicola. You’ll want to wash yourself after this one.

(sic 155) Wash Your Brains 1977 - 1987 CD

Wash Your Brains ‘1977 – 1987’ is a collection of the project’s earliest 2 or 4 track cassette recordings made with membranes removed from public telephones, cheapest lo-fi pickups mounted on window glass, elementary school flutes, rental violins, old office chairs, mechanically manipulated speakers, broken turntables and cassette recorders or simple tone oscillators.

De-/composed through rudimentary cut-up techniques and with an archaic but exploratory sense of new music, this bruit-collection documents Rudolf Eb.er’s early and unique approach to sound art. Pre-Schimpfluch cassette recordings found in the long lost Swiss archives. Collected, selected and compiled by Rudolf Eb.er at Om Kult Osaka, Japan, 2022.

CD mastering by Grant Richardson.  Jewel case CD with art and liner notes by Rudolf, edition of 300 copies.

(sic 161) Fleshcarver Devourer Of The Negative Ecstasy C-30

If you’re not listening to Fleshcarver, then you’re not listening to the nastiest and most savage project of Chester Masangya: the force behind White Widow, Fossa Magna, Jaw Surgery and more. Fleshcarver masticates sinews of raw black metal and formative power electronics, spitting out a blood-soaked genre saturation topped with ghastly vocals. This may be the most satisfyingly nasty release I’ve disseminated on tape, yet.

Edition of 70 copies in an oversized ziplock bag with artwork by Paul van Trigt.

(sic 163) Impur Cançó d'Amor i Venjança one-sided C-54

Impur return with a single track of unapologetic tumult; a Caligula-ic morass of noise revelry which balances sonic detail with proud unrestraint.  ‘Cançó d'Amor i Venjança’ is the duo’s third release in three years, after visiting their sonic abuse on Rural Isolation Project and Marbre Negre in the previous ‘20s, and ups the ante yet again.  Mastered by Grant Richardson to ensure the capture of every last drop.

40 copies in a standard cassette case, 10 copies only in special packaging made from industrial waste, corflute and wire.

(sic 164) Absolute Key Corridors C-38

Emerging from an impressive roster of underground projects – including personal favourite Circle Of Ouroborus – Antti Klemi continues to expand possibilities and find new pathways of experimental noise in the restless, exploratory possibilities of Absolute Key. In Absolute Key, Antti finds resolution and beauty in crude electronics, found sound and decrepit machinery, and ‘Corridors’ is the project at its contemplative, resonant best.

‘Corridors’ is available in an edition of 75 copies, with oversized artwork in a ziplock bag with a banderole.

(sic 168) Michael Ellingford Night Musick C-30

When Michael Ellingford asks you to listen to his first recorded noise work in over half a decade, there’s only one answer. ‘Night Musik’ is an immediate return to Mike’s immense skill as a crafter and composer of sound which those familiar with his previous work (including as Deafault and The Nikita Division) will recognise, but fitted with a darker lens shaded by hints of death industrial and Arctic minimalism.

This cassette was originally released for a handful of shows in Japan, and the remaining copies are now rightfully disseminated further. Edition of 50 copies, artwork by Kiki Thanou.

I have also published a second edition of the Embrace Dekay/Contravention split cassette, mostly in brown covers.  There is also another run of the special edition packaging.

new release day!

Six new releases and a very healthy distribution/webstore update. 

(sic 146) Mlehst 'Hollow Laughter/Beatrix' 2xC-40

I am very pleased to have All Brentnall provide some new material for Cipher Productions. ‘Hollow Laughter/Beatrix’ is an exposition of confusing loops, jarring edits, extended treatments and unpredictable electronics, coated across four cassette sides of this double C-40 set. Words rarely do Mlehst’s work justice; this double cassette doesn’t suffer from the inexplicable, it revels in it.

Standard edition of 45 copies in a foldover A5 cover and ziplock bag.  Special packaging edition of 20 copies. Horse masks, fabric and faux horse hair stitched together into a 'Franken-horse' layer of unwell, and then stuck to a 5" reel box.

(sic 148) Embrace Dekay & Contravention C-20

Two additional sides to the death industrial skillset of James Light. Embrace Dekay captures passages of electronic voice phenomenon only to mangle them through strained cassette manipulation, the unstable capture then surrounded by haunted ambient tones, samples, staccato acoustic elements and dusty spoken word. Contravention is an off-shoot project of Agonal Lust, stripped of its outward aggression but writhing in its shackles as blistering vocal effects, semi-tonal disintegration, drum machine malaise  and pallid electronics all form a necrotic congeal.

The projects are split across a 20 minute cassette. Standard edition in a Norelco case, 40 copies.  Special packaging edition limited to 10 copies.  Cassette comes in a leather pouch with scalpel, bandage and tincture.

(sic 154) Circle Of Shit 'The Counts Of Intention' C-30

‘The Counts Of Intention’ is Circle Of Shit without restraint, ripping distortion passages dominating the cassette’s 30 minutes with only traces of religious samples and vocals surviving the audio mulcher. Fervent in its goal of destroying all in its way – be that human banality or theological underpinnings – ‘The Counts Of Intention’ is an aggressor highpoint of Santieri’s discography to date.

Edition of 50 copies, painted and labelled tapes, Norelco case.

(sic 157) Citalopram Shunyata 'Pudenda In Peril' C-30

Surveying Euro-sleaze via viscous and unsettling noise, Citaloprama Shunyata draws from choice elements of the extreme electronics underground, using those to capture a unique vision which is both bristling with wayward energy and focused in execution. ‘Pundata In Peril’ is in homage to actress Ajita Wilson and in particular her renowned performance in Jess Franco’s ‘Sadomania’.

Painted and labelled cassette in foldover neon pink A5 cover and ziplock bag.  Edition of 75 copies.

(sic 158) Leslie Keffer & Last Action C-21

Split cassette of gorgeous electronics glare and drift from Leslie Keffer, and the sound of warring dysfunctional counting machines from Last Action.  Two vastly different visions of dystopia, paired on either side of a cassette.

Labelled tape in a ziplock bag, full colour artwork. Edition of 47 copies.

(sic 167) Sissy Spacek 'Antitheater' CD

Sissy Spacek expands its Antipodean discography with ‘Antitheater’, recorded over two weeks in December 2021 and then put under the Wiese microscope and scalpel in 2023. Blown-out grindcore and frayed improvisations are crisped with distortion until their original forms distend and melt, chunks of noise-soaked saturations then cut into a series of short-form grotesqueries – each allocated its own CD track. Play it in sequence, or play it on random for a new listening experience each play.

CD pressing of 300 copies. Twelve page booklet with extended artwork from John and a detailed Sissy Spacek discography. If you are in the USA or USA adjacent, please get your copy direct from John – he has plenty of copies and postage will be much cheaper.

Late 2023 - New Releases!

New releases now available.

(sic 138) Scum ‘Exploitation des machines a habiter’ 12” + CD

The first full-length LP from Sou Inomoto’s Scum is a career highlight, a focused and highly detailed work of extreme electronics tension and layered dynamic uncomfortability. ‘Exploitation des machines a habiter’ is two lengthy tracks: the first a tunnelled exorcism of straining drones and sympathetic textures which peaks into noise saturation; the second a longer catharsis of high energy cut-up, loops and vortexed fragments taking form from divergent base elements.

The initial master was considered too harrowing for the cutting engineer, so a new vinyl master was prepared – with the original CD master included here as an additional CD. Inspired artwork from Francoise Duvivier and liner notes from Eric Wood (Bastard Noise) complete this milestone release which is here at long last! Edition of 180 copies.

(sic 143) Evil Moisture & Vanity Productions 'Sex Sells' C-21

In the early sweat of the 2020 pandemic, ‘Sex Sells’ quickly emerged and dissipated as an online release: a remnant of grimy physicality and grinding interaction which was thrust aside as the world retreated. ‘Sex Sells’ is driven by Andy Bolus’ mangled tape mutations, made all the more vivid by Christian Stadsgaard’s sharper electronics counterpoints. Disappointment, tease, degradation and release all find obscured voice in the exchange of ‘Sex Sells’, the first but hopefully not the last manifestation of these two’s late night explorations.

The cassette is packaged an oversized card sleeve, each of which has been uniquely collage with torn magazine advertisements and then obscured by layers of paint, glaze and iron-aluminium granules. These things took forever to assemble.  A handful of copies made their way to the USA for Andy’s summer shows, and now the rest of the world gets to play catch up.  Limited edition of 75 copies.

(sic 149) Rusalka & Primitive Isolation Tactics split C-60

Split cassette from two of my favourite Canadians.  I had ten minutes of Rusalka material originally intended for another release, which I couldn’t let go to waste. Thankfully Kate was able to supplement her studio recording of heavy saturation with a stunning live track of slow-motion subtlety and long-form dynamic which opens into a heady pressurisation of high end magnetism

The flip side is five tracks of virile free-form noise from Taylor Geddes, ranging Primitive Isolation Tactic’s strengths from low-end grunt to charged variations and lulls of rippling respite. The cassette is packaged in densely collaged exterior artwork by Frédérick Maheux and inner photography by Kate, all housed in an oversized ziplock bag. Edition of 70 copies.

(sic 156) Endprojekt ‘Distraktion/Despair’ C-21

New recordings from this incredible trio of Dominic Guerin (Tone Generator, SPK, Last Dominion Lost), Hirofumi Uchino (Defektro), Steve Spectre (Fraughman). ‘Distraktion’ ascends through carefully developed synth layers, initial ambience giving way to a more painful atmospheric assault as solar winds penetrate deeper than their tangibility suggests. B side ‘Despair’ hangs disconcerting curtainry back on earth, adding sombre vocal layers which fall from an unsettling atonal fog to hint at Coil’s explorations into purer ambience.

Initial copies of ‘Distraktion/Despair’ were made available at the seminal ‘InnerWest Noise Fest 2’ in July 2023, and remaining copies are now cast into the wider world. These recordings truly benefit from the higher fidelity tapes I insist on using, and with this release I’m confident listeners will hear why. Artwork by Hirofumi, edition of 75 copies.

(sic 165) No Guard C-27

No Guard’s self-titled release is intended to surpass the project’s demo recordings as its first release proper, an opening statement and tunnelling of intent. The cassette’s five tracks utilise modular synthesis, samples and voice to create unique and highly evocative power electronics nocturnes which draw in atmospheric noise, Anenzephalia-esque synth bleakness, ravaged vocal blisters and tonal despondency. “Clear proof of what can be achieved when taking care and time with regard to composition and recording” – Noise Receptor Issue No 11.

Edition of 50 copies, black tapes and artwork in a Norelco case. Mastered by Thomas Garrison. I am so pleased to be releasing Tom’s recordings, and am confident this cassette is a modern genre highlight – don’t come crying when these are sold out.

(sic 169) Lucas ‘Granpa’ Abela ‘Squirrels On Fire’ C-18

When our outdoor table broke last year and shattered glass everywhere, I thought of Lucas Abela: the flagbearer of Australia’s noise community, and properly recognised through this world and others for his work in playing and breaking glass while abusing its sonic capabilities through a variety of processes over his decades’ 12” + CD of sound exploration.

‘Squirrels On Fire’ is glass allowed to stress, moan and creak as Lucas’ modular synth setup takes its whimpers and amplifies them into exaggerated electronics gestures. The tape was intended to inject some funds into Lucas’ 2023 USA tour which unfortunately was cancelled/downsized. Nonetheless these tapes exist in an edition of 50 copies with two different cover prints, although I have very few available.  Mastered by Grant Richardson, packaged in drawstring bags with artwork from Lucas’ son and shards of the glass table which instigated this release to begin with.

Spiteful Womb 'Interior Castle' LP out now!

I am very pleased to announce the release of the debut LP of Nora Zimmerman’s project Spiteful Womb. ‘Interior Castle’ coalesces so many of the elements which have coursed through Nora’s near-decade of cassette and CDR releases, combining sombre dark ambient, fetid power electronics, captured sound elements and hints of melodic dissatisfaction into a architected sequence of carefully layered and viscerally powerful compositions.

Anyone familiar with Nora’s earlier works will appreciate the care and distinctiveness with which she composes, and ‘Interior Castle’ finds common (burial) ground across the range of post-industrial recesses in which Spiteful Womb has dwelled, constructing a sinister sequence of mansion rooms which expose an array of embedded horrors.

“Fourth Mansion” can be previewed now on YouTube or SoundCloud.

‘Interior Castle’ is pressed with full colour covers and multiple inserts, in an edition of 150 copies.  Copies are expected to start landing with a number of international distributors soon; if you want to know whether copies will emerge local to you then please get in contact.  Americans are encouraged to contact Nora for a copy direct, rather than brave international postage costs.

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Illusion Of Safety & Z'ev

Along with a number of other fine labels, I am co-releasing the Illusion Of Safety & Z'ev LP.  The official release date is this coming Friday, 2 December 2022; my copies are in hand and shipping to arrive on, about or after Friday depending upon where you live.  I have both black vinyl and clear copies!

Numbers on the previous releases are running low, and the Jonathan Canady cassette has already sold out.  Try Scream & Writhe, Sentimental Youth, Cloister Recordings, Tesco, Freak Animal, White Centipede and Self Abuse Records.

New releases are in the works, with big plans for 2023.

new gear

Sorry, updating this news page escapes me sometimes during the giddy throes of new release day.  New to Cipher:

(sic 125) Scar Crowe 'A Sudden And Unexplained Drop In Temperature' C-20

This subdued alter-ego of Patrick O’Neil (Skin Crime, Hanged Man’s Orgasm) finds terror in nature: the blackness of night, the wetness of soil, the chill of snow. ‘A Sudden And Unexplained Drop In Temperature’ traces the fine details of found sound and palpitating ambient through scenes of delayed decay and posed hillside victims.

Painted and printed wood covers tied to a cassette and booklet with printed hessian. Edition of 75 copies.

(sic 131) V/A 'Transgressive Collective IV' CD / C-40

Retrieved from the vaults of Reverse Records, ‘Transgressive Collective IV’ is the culmination of enquiries into the irreverent, unforgiving, callous and violent. Sharing only a broad theme, each of Sutcliffe Jügend, Satori, Isomer, Streicher, Inhibition, Dry Greed, S.T.A.B. Electronics and Stark contribute a track of their finest contemporary work, as well as a page of A5 art. Stan Reed (Blue Sabbath Black Cheer, Dried Up Corpse) then added a detailed piece of collage art for the cover.

The result is a 12 page booklet paired with eight tracks on either CD or cassette (same content on each), with 100 on each audio format. A highpoint of modern audio primitivism and exploratory arts.

(sic 133) Kadaver 'My Hell Is Above' C-42

Another set of fire and brimstone from the never disappointing Kadaver. Armed with an arsenal of hellfire and militaria, Michael Zolotov advances another unforgiving barrage of maelstromic harsh noise. Includes an appearance from Murderous Vision’s Stephen Petrus on one track.

Pink chrome tapes packaged in a ziplock bag, with collage art by Ben Schmidt (Cursed Earth tapes, Bespoke Decay, etc.). Edition of 75 copies.

(sic 140) Theologian 'People Are Weak They Deserve Pain' C-40

The successor to 2018’s ‘Reconcile’ cassette on Cloister Recordings, ‘People Are Weak They Deserve Pain’ finds Theologian bracing for the imminent end of human civilisation.

As each day greets us with more news of impending annihilation, we feel fortunate to live lives of relative privilege, casting our opinions on the scales via social media as though they actually carried weight. The deities man looks to for his solace have all been revealed as sham; whether it be money, power, sex, or the voluntary stupidity of religious “faith,” avarice and cruelty have proven to be the truths which guide our society. No more hiding behind ideologies. As Cronus castrated his father Uranus to depose a corrupt power, it is left to the masses, drunk on their conveniences, to rise up. Yet… we won’t. Not here… Not in America. Lee Bartow is weighed down by a paralysis which stems from the fear that there’s no way to undo what we’ve done. All that is left, is for our society to be swept away by the winds of history.

Theologian performance at the Dominion Of Flesh USA festival presented by Cloister Recordings and Fringe Records NYC, features slightly different mixes than the original digital EP, and was mastered by J Stillings at Steelhook Mastering. Insert, sticker and labelled tape in a foil bag. Edition of 80

(sic 141) Cryptophasia 'End' 7"

The final breaths of Cryptophasia, four tracks of curdled electronics swipes, emphysemic ambient smog and faint machinery heartbeats, which seem to draw in dust and decay as the needle hits the groove. Even against a background of ashen monotone, Cryptophasia turns pallid and fades to grey: this time for the last time, as ‘End’ winds the project back through the cemetery gate at which it started.

Lathe-cut 7” with centre labels and foldout cover designed by James Keeler (Wilt). Edition of 40 copies.

(sic 142) Living Room 'The Cipher Tape' C-30

Within the Living Room vista Matthew promised me something “extra fucked” for ‘The Cipher Tape’, and he delivered. Mangled noisecore, electroacoustic mangling, ghastly electronics, and uncomfortable tape fragments all careen through a constantly unsettled upset of brave edits and unintended consequences. It’s cut-up, Jim, but not as we know it.

A5 wraparound covers with collage artwork from Matthew Reis, labelled cassettes. Edition of 60 copies.

(sic 145) Swollen Organs 'Obesity Indoctrination' C-31

After superb releases on labels of note including Breathing Problem, Nil By Mouth and Deathbed Tapes amongst others, I had to persuade Jimmy Aly to record some material for Cipher. Swollen Organs has unleashed some of the most personally punishing and plaintively primitive of modern American power electronics, capturing the genre’s distended core and wrapping it in a complex veil of guilt, paraphilia, resentment and challenge.

‘Obesity Indoctrination’ engages those obstacles anew through five tracks barely contained by analogue 31 minutes of tape, wrapped in a suitably sweaty and bloated wraparound cover and packaged with a body fat caliper: join in the dismal realisation. Edition of 75 copies.

(sic 152) Jonathan Canady 'Empty Box' C-62

‘Empty Box’ is over an hour of psychologically intense heavy electronics, individually dubbed on chrome cassettes, and limited to 57 copies. Each tape is housed in a 5″ box that also contains liner notes, and one of Jonathan’s original drawings from the “Empty Faces” series that is featured on this release. 57 drawings were individually ripped up and put into envelopes for every copy. The artwork can be reassembled and framed if you like.